In its initial static form, it is simple to build up EQs and surgical filters with as much range as any dedicated product, but the real magic of Volcano is that each of the four filters can be moved in any way and in any direction, even time. The multiplier effect of these styles on the eight filter shapes presents the user with an exhaustive set of origin points, and it requires no great effort to conjure up deeply satisfying sounds and creative tools in spite of the potential for choice overload. The eleven filter styles set the character of the non-linearities (saturation) and peak/resonance, with a wide range from clean and smooth to raw and extreme.įor more hot-tempered styles, engage the Auto Mute Self-Osc button to keep your ears from bleeding. In expanding the Volcano, FabFilter has made inclusions such as this that enable subtlety as well as bolder, more outlandish manipulations. A 6dB/oct slope option has been added, which is welcome particularly for gentle shelving work. The updated Volcano 3 augments the traditional triumvirate of low, high and band pass filters with bell, low/high shelving, notch and all-pass shapes, which is a substantial upgrade. The myriad ways in which the modulation section can manipulate the filter controls point to near limitless sonic options, from funky envelope filtering to mangled chaos. The preset library is well-stocked with solid starting points, more developed processing approaches and a healthy dose of experimentations to showcase some of the creative potential on offer. Version 2 users will be familiar enough to get to work immediately, but those new to Volcano will not need to reach for the manual immediately – although it is needed for deeper dives. It’s an accessible and inviting space of movement and colour, but never overbearing or garish, which is lucky as it is one of those plug-ins you can spend a long time tweaking. The perimeter of the interface hosts the more mundane essentials such as preset management, undo/redo (a must for the inevitable “I swear I had it perfect just now” moments), output/mix, MIDI Learn, full screen mode and processing quality (oversampling). Below this are the main filter controls followed by the user-configurable modulation section. The refreshed UI design combines a real-time spectrum analyser display and filter shape overlays with editable nodes for four filters. READ MORE: SSL Fusion Vintage Drive review: Genuine SSL sound without the cost.The Volcano 3 may technically be a filter plug-in, but now more than ever it is taking the core of four independent filters and stretching and bending them into more complex and capable audio processing effects. I also encourage you to recommend some of YOUR favourite plugins for mixing and mastering.įeel free to leave those in the comments as well! Thanks for reading.FabFilter’s recent update of its Timeless delay was notably impressive, so expectations are high for this third iteration of its Volcano filter plug-in, which is already considered to be an established class act. If I ever come across anything else, I’ll definitely make sure to update this article. That’s why I decided to recommend 4 of the best plugins for mixing and mastering. I understand your curiosity though and your desire to seek tonal possibilities that aren’t currently accessible to you. I assume that it’d be the same for other DAWs, but I’m not quite sure what comes included anymore.Īll I know for sure is that you can’t go wrong with Logic Pro X! You’d be surprised with what you can accomplish using nothing but the plugins that come with Logic Pro X. However, the rest is all coming from Logic Pro X’s stock plugin collection. Of course, I use other plugins for mixing and mastering. I specifically chose to keep the list small so that I could focus more on the individual plugins that I ACTUALLY use rather than just listing them all… So, what do you think of the best plugins for mixing and mastering? Summary: 4 of the Best Plugins for Mixing and Mastering
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